This research paper presents a groundbreaking framework, Patterns and Superagency, which redefines the universe as a deterministic, hierarchically ordered system governed by a single invariant constant per dimension, ensuring stability and coherence across scales. Challenging the stochastic foundations of quantum mechanics, we begin with the paradox of macroscopic stability—why everyday reality remains predictable despite alleged randomness at subatomic levels. Through gravitational lensing, we demonstrate that light’s speed c reigns as the “father” of the third dimension, compelling time, space, and energy to adapt, as dictated by relativistic principles. This one-constant-per-dimension rule extends universally: position governs the second dimension, existence the first, with each constant enforcing order while subordinate “children” adjust to prevent contradictions. A vertical hierarchy mandates that constants occupy distinct layers, avoiding conflicts that would collapse the system, as formalized by the commutation relation 𝑇, 𝐶\_𝐷 = 0 . Randomness, often invoked to explain phenomena like photon fluctuations, is rejected as a misinterpretation of higher-dimensional projections, akin to a 4D torus appearing erratic in 3D. Culminating in the concept of superagency, we propose that consciousness, as an eternal constant, actively shapes reality by selecting from a pre-existing manifold of states, resolving the Hard Problem and reframing the brain as a reality-enacting agent. Written in dual styles—a narrative for broad accessibility and a rigorous scientific analysis—this framework not only unifies physics and philosophy but positions agency as the geometric and moral cornerstone of existence, where every choice carves the latticework of the future.

This paper proposes a new theoretical framework—Dimensional Invariance Theory—which redefines the structure of physical reality by assigning a single unchanging “father” constant to each dimension. Drawing from general relativity, quantum mechanics, algebraic topology, and higher-dimensional geometry, the theory posits that in any given dimension, only one element may remain invariant while all others must change to preserve its constancy. Beginning with light as the governing force of the third dimension, we derive time as its dependent “child,” and extend the logic into four dimensions using the tesseract geometry to define a new governing constant: agency. This superdimensional agency acts not through spontaneous creation or collapse but through traversal across a pre-encoded state-space, aligning with topological algebra where all possible outcomes must already exist for meaningful choice to be made. The theory critiques mainstream quantum interpretations of randomness and superposition, offering instead a deterministic structure governed by vertical hierarchies of invariance and horizontal constraints of dimensional exclusivity. Building on Kip Thorne’s depiction of the tesseract and relativistic time manipulation, we derive new geometric-metric formulations that introduce agency as a fourth-dimensional constant orthogonal to time. This work aims to unify the logical architecture of physical laws with the philosophical conditions required for causality, agency, and consciousness, laying groundwork for a new class of theoretical physics rooted in structure rather than uncertainty.

Understanding sociology as a discipline dedicated to the comprehension and analysis of diverse social interactions, this essay advocates for delving into a context of understanding that extends far beyond the superficial appearances of being and everyday life. From its origins and historical foundations with figures such as Auguste Comte and Henry de Saint-Simon, to reaching pioneers like Max Weber, who are considered the founding fathers of sociology, this field has undergone a continuous evolution. It has advanced to formulate insights from various perspectives, revealing the invisible threads that interconnect individuals, communities, and societies. This work presents the history, fundamental principles, and various social, economic, and political conditions that provide insight into the understanding of sociology, reflecting the vast diversity of thinkers and formulators who have contributed to its development. Through this exploration, the aim is to discern the diverse social dynamics that precede human actions, thoughts, and relationships, promoting a profound reflection on the human condition and society. The essay emphasizes the significant role played by key references, showcasing the rich tapestry of contributors who have shaped the evolution of sociology. In essence, this work seeks to unravel the intricate web of social interactions, fostering a nuanced understanding of the complexities inherent in human existence and societal structures.

Understanding sociology as a discipline dedicated to the comprehension and analysis of diverse social interactions, this essay advocates for delving into a context of understanding that extends far beyond the superficial appearances of being and everyday life. From its origins and historical foundations with figures such as Auguste Comte and Henry de Saint-Simon, to reaching pioneers like Max Weber, who are considered the founding fathers of sociology, this field has undergone a continuous evolution. It has advanced to formulate insights from various perspectives, revealing the invisible threads that interconnect individuals, communities, and societies. This work presents the history, fundamental principles, and various social, economic, and political conditions that provide insight into the understanding of sociology, reflecting the vast diversity of thinkers and formulators who have contributed to its development. Through this exploration, the aim is to discern the diverse social dynamics that precede human actions, thoughts, and relationships, promoting a profound reflection on the human condition and society. The essay emphasizes the significant role played by key references, showcasing the rich tapestry of contributors who have shaped the evolution of sociology. In essence, this work seeks to unravel the intricate web of social interactions, fostering a nuanced understanding of the complexities inherent in human existence and societal structures.

El presente artículo se basa en un taller de geología desarrollado mediante una metodología de investigación documental y análisis crítico de información. El estudiante realizó una revisión de fuentes académicas y científicas para consolidar conocimientos sobre distintos aspectos de la geología, aplicándolos en la resolución de un cuestionario estructurado. El ejercicio inició con la caracterización de las eras geológicas, detallando sus principales características y eventos más representativos. Posteriormente, se identificaron los minerales más explotados en Colombia y su distribución geográfica a través de un mapa. En tercer lugar, se estudiaron las geoformas influenciadas por agentes morfogenéticos, explicando su origen y evolución. Se analizó también, la hipótesis de la deriva continental, exponiendo sus fundamentos científicos y las evidencias que la sustentan. Para terminar, se identificaron los principales sistemas de fallas geológicas activas en Colombia, describiendo sus características generales y representándolos en un mapa. Este proceso permitió al investigador desarrollar su capacidad de análisis geológico, interpretación cartográfica y comprensión de los procesos dinámicos de la Tierra, desarrollando habilidades analíticas en la recopilación y evaluación de información geo científica

Art is often perceived as a personal expression, a cultural artifact, or an aesthetic pursuit—but it is also a deeply social phenomenon. From ancient cave paintings to contemporary digital installations, art both reflects and shapes the societies in which it is produced. In the realm of sociology, art serves as a lens through which we can examine broader social structures, power dynamics, and cultural values. This paper explores the role of art as a social institution and its impact on identity formation, collective memory, and social change.

Integrals play a fundamental role in various scientific and industrial applications. Their significance extends beyond theoretical mathematics to practical fields such as physics, chemistry, and engineering. One notable application is in volume determination, which is essential for industries designing product containers. This project explores the use of integrals to derive a general expression for the volume of a Pilsen bottle using the Lagrange method. The motivation for this study arose from a simple yet intriguing question: why are certain beverage bottles made of glass despite their fragility? To answer this, we investigate how integral calculus, particularly the disk method and proportionality properties, can be applied to model the bottle’s shape and compute its volume. By integrating mathematical techniques with real-world applications, this research demonstrates the practical utility of integrals in industrial design and production.

This paper critically examines Pirates of the Caribbean: The Curse of the Black Pearl through the dual lenses of Freudian psychoanalytic theory and postcolonial criticism, revealing that the narrative articulates complex thematic oppositions through a multifaceted analysis. The study yields three key results: 1) Freudian constructs such as the ‘id,’ ‘ego,’ and ‘superego’ exemplify the internal conflicts of characters, emphasizing the dynamic tension between instinctual desires and moral control; 2) a clear binary opposition is established between the pursuit of freedom, embodied by characters like Captain Jack Sparrow, and the state of entrapment, exemplified by the cursed crew whose internalized guilt and consequences of greed bind them; and 3) the integration of psychoanalytic and postcolonial perspectives provides interdisciplinary insights, demonstrating how historical power dynamics and personal identity conflicts converge in cinematic storytelling. The significance of these findings lies in their potential to refine methodologies in literary and film criticism by offering a nuanced understanding of narrative complexity and cultural dynamics. Consequently, further research is expected to extend this dual-framework approach to a broader range of films and narrative forms, thereby enriching scholarly debates on themes of freedom, power, and identity within contemporary popular culture.

This paper examines the interplay between Stoic philosophy and early New Testament theology, with a particular focus on Pauline writings. It explores how core Stoic concepts—such as logos, virtue, and natural law—were strategically adapted by early Christian thinkers to communicate the gospel within a Hellenistic intellectual framework. The discussion reveals three key points of theological tension: 1) Resurrection versus Immortality of the Soul: Whereas Stoicism posits that the soul merely returns to the universal order, Christian doctrine asserts the resurrection of the body and the promise of eternal, transformed identity (Engberg-Pedersen, 2020; Ferguson, 2021). 2) Personal God versus Pantheistic Logos: The Stoic view of an impersonal, all-pervading logos contrasts sharply with the Christian emphasis on a personal, relational God who actively engages with creation (Arnold, 1971; Wilson, 2023). 3) Grace versus Self-Sufficiency: Although Stoic ethics valorize self-sufficiency achieved through reason and discipline, Paul redefines these ideals by grounding moral strength in divine grace, thereby highlighting human dependence on Christ (Malherbe, 2022). This research shows how early Christian theology both borrowed from and diverged from prevailing philosophical traditions, thus laying the groundwork for a distinctive doctrinal identity. This synthesis not only facilitated the spread of Christianity among a philosophically sophisticated audience but also continues to offer a rich framework for contemporary theological dialogue and interfaith engagement. It is expected that further exploration of this convergence will deepen our understanding of the dynamic relationship between secular philosophy and religious thought, with implications for modern ethical discourse and apologetics.

This study employed Critical Discourse Analysis (CDA), a qualitative method to examine Pope Francis’s (2024) speeches in Jakarta, integrating ​Teun van Dijk’s socio-cognitive framework​ (2006) and ​Ruth Wodak’s discourse, historical approach (2001). As the result, the findings emerge: 1) The Pope’s rhetorical strategies; such as, ​inclusive pronouns​ (e.g., “we”) and ​metaphors​ like “bridges of dialogue”, construct collective identity and align with Indonesia’s national motto "Bhinneka Tunggal Ika" (Unity in Diversity), framing interfaith harmony as a moral imperative. 2) The speeches depict power dynamics by positioning the Church as a “servant of the common good,””compassion,” “mercy,” and “inclusivity” which aligns with the Islamic principles (e.g., rahmatan lil ‘alamin), legitimizing the alignment to state policies while subtly outlining systemic inequities, in line with van Dijk’s concept of symbolic power. 3) The discourse reconciles historical tensions by referencing Indonesia’s conflict struggles and avoiding contentious terms like “conversion,” reflecting Wodak’s emphasis on the role of historical context in shaping communication. The Pope’s rhetoric strategically engages Indonesia’s past events and present-day religious policies to foster reconciliation and legitimize the Church’s role in a pluralist society. Through textual analysis, contextual triangulation with policy documents, and ethical rigor, the study draws attention to the Pope’s strategic balance of affirming state-endorsed pluralism while advocating for grassroots justice, demonstrating CDA’s efficacy in decoding religious diplomacy in diverse societies.